Some thoughts on 2014

I typed this title and started blankly at the text field for awhile. How do you sum up a year?

Maybe it’s best to consider how it began. I started this year blissfully unemployed. Then I went back to full-time work as a contractor. It was a rough transition, but it happened at the right time. I’d done all the reflecting and rejuvenating I possibly could, and I needed to hatch from my cocoon before I started stagnating. There’s a part of me that feels like if I’d just stuck with those feelings a little longer I might have found the perfect balance of employment, free time and 100% fulfilling work but that’s probably untrue. Being at home for so long was starting to shake my confidence in my ability to interact with other humans, which has never been that strong.

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Hiding from my office party

So I went back to work and my sewing changed. The “thinking” part of sewing lessened in favor of the “making” part. I spent the early part of this year working on my bodice sloper and adapting a pleated pants pattern into a jeans pattern, but my spring and summer was full of dresses and tops and wearing the jeans enough to realize that a) they would need future improvements and b) they should be given to my sister.
Unblogged V.2 jeans

Now that I’ve become re-accustomed to working, my desire for longer projects is increasing again. I made a jacket. I fitted and sewed a button-down for one of our best friends who doesn’t fit RTW. After a year of talking about it, I’m sewing a coat that should be done by the end of this month. It’s been a slow process, with the construction interspersed with lots of book flipping and internet scrolling, but to me that signals I’m learning something.

Next year, I’m slated to sew a wedding dress for my sister and I’d like to renew my quest for awesome pants. The quickest way for me to develop an aversion to something is to set a hard goal to complete it, so (aside from the wedding dress) I’m not going to do that. I’ll just say this: I’m excited for another year with you people, shared through the magical lens of sewing and creating.

Raglan progression

Like many, I’ve been taken with the raglan-sleeved sweatshirt trend. I had a vintage 1980s pattern in my stash, which turned out to be disastrously large through the armpits, chest and sleeves. (Every time I’m facing extensive pattern changes, there seems to be a McCall’s/Butterick/Vogue sale and a pattern that promises to save me from my fit issues.)

I bought McCall’s 6992 and tried it out using a thrifted jersey sheet. I used my hip size all around, but the bust came out huge. And my sister, bless her heart, tried to hide the wrinkles by pulling the shirt down before taking a picture. I felt like a cat with a coat on. | McCall's 6992 | thrifted sheet sewing

Here I am, trying to get that blouson feeling back. | McCall's 6992 | thrifted sheet sewing

And here’s the usual swayback scene. | McCall's 6992 | thrifted sheet sewing

For Version 2, I traced a smaller size up top graded to the larger one through the hips. I used some organic cotton French terry and honest-to-goodness RIBBING! And please enjoy a liberal dose of wrinkles, because I’ve been living and sleeping in this sweatshirt.

One element that wasn’t clear to me from my research or the pattern art is that the one-piece sleeve has a shoulder dart. At first I was irritated to sew a dart into knit fabric, but it really improves the shape. | McCall's 6992

Satisfied with the fit, I began working on what was my ultimate goal: a raglan-sleeved sweater-knit dress. The only initial change I made was extending the hem. I also underlined the front and back (with cotton-hemp jersey from a failed dye experiment) because the fabric was scratchy. It was supposedly a wool/acetate blend and felt a good deal cheaper / a lot less wooly than its price tag led me to believe. | McCall's 6992 dress

After basting together the pieces, I trimmed down the arm/side seam multiple times. I also added a hem band at the bottom and finished the neck and sleeve hems using – surprise! – this tutorial – which adapted quite nicely to my sweater knit. | McCall's 6992 dress

I hated every minute of sewing this fabric, but I like the dress quite a bit; it’s warm and easy to wear. There might be some room for improvement in the fit of the back raglan seams, but it’s comfortable. | McCall's 6992 dress

And speaking of raglans, my coat progress continues. I figured out the main problem with the back fit and added a whopping 3/4″ to the back shoulder seam. Everything fell into place! | Named Patterns Yona muslin

I still have some work to do on my lining pattern pieces, but I was starting to feel scattered and kind of hopeless I’d never get to start sewing with my real fabric. So, I’ve begun constructing the shell! I began with the back, just to get my bearings with the fabric and underlining on a simpler piece.

So the verdict after all this raglan-ing? I’m not sure the raglan is the best design for me, as my shoulders are supremely broad and square, but I appear to be riding this silhouette until the wheels fall off.

See you next spring, jacket

One of my big, big sewing focuses right now is sewing myself some outerwear. It’s a challenge, and a very timely one. My winter arsenal consist of a 5-year old puffy down coat and a woefully drafty, short, thrifted Banana Republic thing. My light-weight jacket situation is a little better and includes Minoru, Mini-ru and a thrifted jeans jacket that’s debilitatingly tight across the back. Even though I need winter coats more, starting with a fall jacket seemed prudent and still-useful. | Burda collarless jacket

I downloaded this Burda pattern in May with the best of intentions to start my jacket early, and promptly buried myself in fluffy summer sewing. It didn’t help that the instructions looked like they’d been crammed through an online translator without proofing (how does Burda manage to get all of those weird a’s with carats sprinkled throughout their instructions?). When the weather got chillier in early September, my sense of urgency overcame my mild fear/irritation, and I started my muslin.

What my pattern lacked for in instructions was made up for by (what I then thought was) a perfect fit. The fact that the pattern, chosen for my bust/waist/hip measurements, fit my broad shoulders and upper back should serve as a warning for all you normal- and narrow-shouldered folks! | Burda collarless jacket

My only fit adjustment was to correct for my swayback. (Now, of course, I see some wrinkles that may have been worth investigating!)

Other deviations from the pattern were as follows:

  • Different, simpler cuffs – the floppy zippered cuffs looked like a nightmare to me
  • Adding a full lining, with an action pleat
  • Underlining the front and back shell pieces
  • Catch-stitching the shell seam allowances
  • Completely ignoring the instructions

My muslin was a black mystery woven with some drape, and my final fabric was a hemp and recycled cotton canvas. Some issues I hadn’t spotted in my muslin showed up in the garment, namely some weirdness through the bust. | Burda collarless jacket | Burda collarless jacket

This is me explaining the importance of documenting my side-wrinkles to my photographer/sister. It looks just like a dart, doesn’t it? I love dartless flat-front styles, but they often leave me yearning for easier fitting solutions. | Burda collarless jacket

My favorite element by far is the contrasting bias binding I added to cover the zipper and finish the neckline. Sanae, a connoisseur of tasteful linens, gave me a gorgeous striped specimen that I made bias strips from. | Burda collarless jacket

The jacket doesn’t call for a  lining, but I wanted to get some practice in, and not have to finish my shell seams in a pretty way. I used the very last scraps of a thrifted rayon, first seen here. | Burda collarless jacket

I could have spent more time on the fit, in retrospect, but this jacket will be worn next spring. And I feel more prepared to dig into my coat project. I’ve started the muslin process and have been sharing a few in-process photos/soliciting fit advice on Instagram.

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So far, the takeaway has been that my upper back is at least two full sizes larger than my bust. Oh, fitting! Outerwear, onwards!

Late to the (clown) party | Pierrot clown costume

Hello, hello! I missed Halloween festivities this year due to a plague that blew through my husband’s family. Ironically, my symptoms came on just as I’d sewn up the last rosette. (Last year, I was still sewing up my tiger costume minutes before I left for my friend’s party; I can’t remember the last time I wasn’t scrambling to get a costume together the day of Halloween!)

Anyway. I have a hard time picking costumes because I’m afraid I won’t be able to get into character. Anyone who’s ever heard me try to speak with a fake accent knows that this concern isn’t unfounded. A clown, I decided, would be perfect – I can make exaggerated faces and hop around silently as well as anybody. | Pierrot clown costume

The foundation of my Pierrot-style costume was a billowy white 80’s pajama shirt pattern. I love a full gathered sleeve, costume or not, and I would have welcomed more puffiness. Still, I’m tempted to see if I can integrate it into my daily wardrobe. And really, how different is it from this? The neck and leg ruffles are from a linen sheet gifted from my friend (and cosplay whiz) Meris, and the edges are finished on my serger with a very short stitch length. The rosettes are scraps from this top. | Pierrot clown costume

Is there a socially acceptable way to wear a neck ruff in daily life? Should I just do it? I love how it looks. | Pierrot clown costume

After getting gussied up for a mini-shoot with my sis, I couldn’t resist running outside to freak Nathan out from his office window. Happy belated Halloween from this clown.


Dressing like a feminist

Since I posted last, I finished my jacket (snapshot at the end of this post) as well as a Pierrot-style clown costume for Halloween, but neither has seen any wear! The weather has turned quite cold and rainy, and I came down with a gnarly head cold that prevented me from any Halloween reveling. I hope to have pictures of one or both soon, but in the meantime, I thought I’d share some reflections on a topic near and dear to my heart.

When I was a sophomore in college in the early aughts, my uncle and parents visited me. We went to the mall, because that’s what we did back then for fun. As we walked through the perfumed air, my uncle said something I never forgot: “You know that women’s fashion is all about vulnerability, right?”

The more I thought about it, the more examples I came up with. Tight waists that restrict breathing and make eating difficult. Long hair and jewelry to grab. Exposed skin. Constricting skirts and pants that limit range of motion. No pockets, which necessitates carrying a bag. Shoes that prevent the wearer from running, walking or sometimes even standing in for more than 20 minutes. Sizes and shapes that make people feel like genetic aberrations. And, perhaps most debilitating, the expectation that women should be gorgeous, fashionable or at least “current” at all times so you have a hard time thinking about other things.

I’ve worn all of the garments and accessories I’ve listed above. Skinny jeans that were so tight I’m pretty sure they gave me heartburn? Yep. Painfully tall, cheaply-made, blister-inducing heels? Yep. As I get more comfortable in my skin, my tolerance for these particular sorts of pain has declined dramatically. Physical comfort is on par with aesthetics for me now. I’m done with skirts I need to keep adjusting or shirts that cut into my armpits. I tend to wear shoes that I can walk at least a mile in. At the same time, I’ve never been more certain about what I want to wear and look like.

I think making your own clothing can be an act of resistance to the shortcomings of mainstream fashion – I’m empowered to make the clothes I need and want, and I can make them to fit me. I know techniques to make my clothes last longer than the store-bought items I could afford, so I’m not always scrambling for replacements. My imagination, skill level and free time are the constraints I work within. I feel lucky.

I still think a good deal about fashion and clothing, and sometimes I question the amount of time I spend on sewing and sewing-related activities. Aside from work, it’s without a doubt what I spend the most time doing. “Sewing” has come to encompass a whole range of activities for me, however: learning, writing, working with my hands after a day of digital work, challenging myself, relaxing, meeting people and being creative, with the hope of a useful object at the end of the process. I like new clothes quite a bit, but would they be interesting enough on their own to sustain my sewing practice?

On the flip side, my interest in clothing and sewing looks dramatically different from others’. I have friends who enjoy the performative aspects of fashion.  Playing with gender and identity through clothing can be extremely powerful and, I think, a feminist act as much as dressing to suit your body and comfort. That exploration may include the 6″ heels, a three-piece suit, a shaved head or cleavage for days. Why a person wears something can easily be as important as what they’re wearing.

Given how much time and thought most of us invest in our home-sewn garments, do these sorts of considerations enter into what you sew? Has making your own clothing changed how you dress yourself?

Further adventures in shirtmaking

It’s good to be talking shirts again. The last one I finished was over a year ago! The inspiration for this one was certainly the fabric, a plaid cotton-linen blend I bought this summer with every intention of making something for myself. I was holding the fabric up to my face, using the mirror in Nathan’s office, and pondering what I should make when his eyes lit up and he complimented… the fabric. There is a world of difference between “that’s an awesome fabric” and “that fabric looks awesome on you.” Begrudgingly, I held the fabric up to his face and it looked so much better on him that the decision was made. | Plaid men's shirt, McCall's 6044

(The plaids match because I spent what felt like hours making sure – looks like they’re a bit askew in this pic!)

I spent quite a bit of time thinking about plaid placement, spending a little bit of time each day over a week. I drew lines on my pattern where I wanted the dark horizontal stripes to land, pondered the benefits of a yoke on the grain vs. on the bias, sorted out how to continue the line across the sleeve… all efforts that paid off in the end. You can’t just cut into a plaid without a plan, especially when you work with it as infrequently as I do. I believe the last time I touched a plaid was in 2011, on a shirt for myself that has long since been donated to the Goodwill.

I also used this shirt as an opportunity to make the following changes to the McCall’s 6044 pattern:

  • Reduced the sleeve fullness at the bottom by slashing and closing
  • Made what I understand to be a modified French placket
  • Widened the placket to 1.25″
  • Removed 1/8″ from the undercollar and inner collar band seam allowance
  • Added a back yoke (same as black shirt)
  • Graded from a large in the shoulders/arm scye to a medium through the waist (same as both previous versions) | Plaid men's shirt, McCall's 6044

Semi-scientific sleeve fullness comparison. | Plaid men's shirt, McCall's 6044

I decided to use a French placket with stitching – is there a proper name for this? – because I thought it would both look nicer and be easier to sew. Instead of using the placket piece included in the pattern, I extended the shirt front and folded it over twice and edge- and top-stitched. I love it – how often does “easier” and “better-looking” intersect? Both of the other shirts look puckered where the shirt front and placket were stitched together after going through the wash.

I also used Andrea’s order of operations for sewing on a collar – highly recommended. Instead of fusible interfacing, I used a stiff cotton lawn for my collar and collar band; with the smaller undercollar and inner collar band, the collar curves ever so slightly and is really well-behaved. Still working on the perfect points, though – they’re not as sharp as they look in the image above.


I forgot for a second time that I need to reduce the upper back width; I hackily removed 3/8″ from the back arm scye, grading to nothing at the shoulder, but I think there’s about 3/4″ or more of excess on either side. Unlike me, I think Nathan is broader in the front and may not need the larger size in the back. A pattern-making puzzle to consider; what does that do to the sleeve pattern? | Plaid men's shirt, McCall's 6044

This shirt has quickly overtaken the other two as Nathan’s favorite. How gratifying is that? While I’d like to claim that using this gorgeous fabric on something for Nathan is selfless, I really can’t – I get to see him wearing it all the time.


I started the shirt after a post-Scraptember dress break and have since started a jacket I’ve meant to sew since May! If you could see the instructions, you’d know why it never sounded good to start. Why yes, it is a Burda pattern – how did you guess? But it’s almost finished and I’m loving the results. Even if my welt pocket has a pucker in the corner… | Burda collarless jacket

Triangulated scrap dress

How’s your Scraptember going? Mine got a whole lot better this weekend when my project finally started to look like a garment. I got so excited that I finished it sooner than I’d expected. Sometimes I get a little antsy when I’m doing piece work – it can take a little longer than normal projects to look promising. | scraptember scrap dress

Anyway, it’s done. And surprise! It’s made from grey and blue linen scraps!

I was planning on making a longer, button-less version of what I made for my two-piece set, but I kept returning to the idea of adding a gathered-rectangle skirt to the bottom so I could wear it as a tunic. I had some actual yardage of one of my scrap fabrics, the silver coated linen, and I went for it. (I probably would have picked one of the other fabrics if I’d had the choice as the linen is pretty heavy, but they were down to their scrappiest scraps.)


Nothing too fancy to note in terms of construction; I stitched the scraps together and serged. I liked the idea of a triangle in the middle and placed it so it would end right on the finished neckline. I used my dartless tank pattern that I drafted off my sloper and pieced around the triangles until I had enough fabric. The neckline and arms are finished by – what else – more scraps. | scraptember scrap dress

I was thinking about mimicking the triangle on the back but went for strips instead as it fit the scraps I had better. | scraptember scrap dress

I was a little concerned that the transition from the solids to the strips would be jarring, but I really like it.

Just for funsies, here are the projects that my scraps came from:

In other scrap news, I took a spin through my scraps during this project and decided to remove the pieces I didn’t like. It’s a complete no-brainer, but the artist (hoarder) in me always thinks I’m going to strike on some fantastic scrappy color combo even with colors and prints I don’t like.With a few years into scrap hoarding under my belt, I’m noticing it doesn’t really happen. Another part of me – a hoarder without artistic ambitions – has a hard time throwing anything vaguely useful into a landfill. I’ll be researching textile recycling options for those undesirable scraps… aided by triangle power! | scraptember scrap dress

All about ME

Last week, Lisa G of Notes from a Mad Housewife very kindly tagged Melanie and me in the blog hop on writing that’s going around. Being something of a rule-follower, I tried to find the origin of the blog hop. I traced it back, 6 blogs deep – Lisa, Heather, Leila, and three new-to-me blogs – without any mention of the original hopper. This sewing blog land of ours is vast! Without being able to reference the original post, I don’t know what the intent of the hop is, but what swayed me to participate was just how much I enjoyed seeing these posts popping up in my reader.

Why do I write?
I don’t remember why exactly I started a sewing blog. My first few months of consuming sewing content on the internet are hazy. I wanted to make things and I needed a lot of help. I would look up projects on the internet and invariably end up mucking around Burdastyle without understanding how it worked. I joined the now-defunct Wardrobe Refashion because I was just so interested in what people were doing. After a few months of lurking on WR, I shared my first project with great trepidation – a Burda dress made from a thrifted sheet with some of my illustrations screenprinted on it, shot in Photo Booth on my computer – and people were both kind and helpful. I guess eventually I felt the pull to contribute my own content to the online sewing world in a more involved way. I started two other blogs before Crab & Bee – originally a collaboration with my sister – really took shape.

I’ve continued blogging because I really enjoy reading about sewing and the creative process, and it’s so heartening to know that other people share those interests. It’s about documenting, too: it’s exciting to have a tangible way to track my progress in and attitude towards sewing over the years.

I write in general because I’ve always written. I started a journal at age 5 and have kept one ever since. I don’t really understand something until I’ve written it down, whether it’s how I’m feeling or my grocery list.

How does my writing process work?
I suppose the writing process starts with the sewing process, when I start narrating to myself. It’s hard to justify my narration habit if I don’t blog, so at this point, I’m committed. Once my project is finished, pictures are next. I take the straightforward approach to photography – I’m most interested in capturing the look, fit and feel of a garment. I make sure to capture the details I want to discuss, and then order my photographs in a way that feels natural. By then, writing feels like a mad lib. I don’t try to control much of what I’ve written.

For someone who frequently shares pictures of themselves on the internet, I tend to be a private person with a tendency towards brevity. I think both of these qualities are fine, even admirable in certain situations, but I realized a couple of years ago that one of the things that makes a sewing blog more meaningful to me is the connection I feel with its writer. In the hopes of creating the kind of blog I’d want to read, I’ve been trying to put more of myself into my posts beyond just how large of a broad back adjustment I need. It’s a work in progress – as is the broad back adjustment.

How does it differ from others of its genre?
One of my fantasy projects would be doing a big affinity diagram of sewing bloggers. There are a lot of overlapping themes and interests in the sewing blog world. My main interests are sustainable sewing (and exploring what that even means), fitting and adapting patterns, durability and the techniques to achieve it, and sewing my entire wardrobe in styles I love, with a little textile art thrown in. This isn’t the ambitious affinity diagram, but I did want to share a few blogs I look to for inspiration around these themes:

Sustainable sewing: So, Zo, YoSaMi, A Handmade Wardrobe, Gloria & Me
Adapting patterns and pattern-making: Heather B, Madalynne
Durability and technique: Notes from a Mad Housewife
Creating a wardrobe: Fabric Tragic, What Katie Sews, Handmade by Carolyn
Styles I love: Sew StylistOh, She Dabbles
Textile art: Rolling in Cloth, Liza Jane Sews, SallieOh

I think what makes any blog unique is the combination of the writer’s personality and interests, their approach to the creative process and what they create.

What am I working on?
Too many things! I’m playing with a couple of Scraptember ideas as well as sewing scrap undies, making a couple of mens’ shirts as gifts, and muslining and planning some early-fall sewing so I’m not as cold as I was last year. That’s plenty, but I’d love to make another pair of jeans and play around with my newly-completed bodice sloper.

I’d like to nominate Ebony of Sew Stylist and Sarah from Fabric Tragic. I can’t get enough of Ebony’s style these days – I can imagine looking in her closet and seeing a harmonious wardrobe sewn up in a beautiful mix of solids and tasteful prints. I love Sarah’s intense focus on wearable workhorse pieces, with the occasional Sound of Music singalong costume thrown in for good measure. Also, she cracks me up with her choice phrases – “lady garden” comes to mind. (Ebony and Sarah – no pressure to write up your own post!)

What are some of your sewing interests, and which other bloggers share them?

Isabecca tunic

Didn’t expect to see me back so soon, didja?


As I mentioned in this post, I re-visited the Rebecca Taylor pattern (Vogue 1367) to emulate an Isabel Marant tunic I’ve had a crush on for a few years. A super-stylish former coworker of mine has the shirt version, so I got to admire it in person a number of times. It only fanned the flames of inspiration!


I adapted the pattern in the following ways:

  • Added 8″ to the front and back pieces below the yoke
  • Made separate pieces for the curved hems, cutting two of each to create hem facings
  • Split the front yoke into two pieces
  • Added flat-piping to the front and back yoke seams to emulate the original’s raglan sleeves
  • Added trim down the front


The trim and flat-piping I used were actually precisely-cut pieces of printed quilting cotton. I searched high and low for the right trim, ribbon, whatever, with no luck! Most of my wardrobe is quite unembellished, and it’s highly possible I didn’t know where to look. | Vogue 1367 modified tunic


Even though the design is printed and not woven like I was hoping, I love the final effect.


The main fabric was a serendipitous acquisition. I like the cruise the thrift store for fabric, and came across a lovely lightweight linen! It was an unpalatable-to-me brownish-creamish color, but at $5ish for over 2 yards, I swooped it up. I dyed over it with a blue-ish black. Weirdly, it didn’t get much darker, but it cooled off the offending warm tones.


The curved hems are quite deep, which makes this more of a tunic than a dress. I just couldn’t force my sweaty little legs into leggings when my sister and I were taking pictures!


I was surprised by the broad back of the sleeveless version I made, but in making this version, I learned that it’s because these sleeves are very upright. (Is that the right word for it? They are angled parallel to the side seams.) They look quite voluminous in the pattern photography, but in real life they’re fairly fitted at the top with no gathering. I love a poufy sleeve and would add some gathers at the top if I made this pattern again.



I started this project shortly after my sleeveless version and finished it over a month. It’s not a complicated project, but I sewed slowly and took my time making design decisions. I tend to have plain tastes, so I can easily talk myself out of extra details or modifications. Since I was inspired by someone else’s design, however, it was fun to study and mimic the details as closely as I could.

I’d actually hoped to make this tunic during Shield Maiden March but wasn’t able to secure supplies or sort out patterns and modifications in a timely manner – basically, I had nothing I needed to make it happen! Consider this my (6-month late) submission, please.

Little linen outfit

Last year, Kelly made the Liesl & Co Everday Skirt. Since then, I’ve engaged in a monthly debate with myself – buy the pattern or try to approximate it on my own? “It’s a gathered skirt with an elastic waistband in the back – how hard could it be?” would be countered with “Do you really want to spend the time measuring out rectangles and tracing pocket facings?” The price seemed a bit high for the pattern. Finally, Katie sewed up her version and her verdict of “I was tempted to go the self-draft route for my dream skirt, but this pattern is basically it” pushed me over the edge. | self-drafted top and Liesl & Co Everyday skirt


I haven’t been sorry. There are a lot of things to like about this skirt design: the flat side panels, back elastic waistband, nice pocket placement all come to mind. I’m not even a skirt person, but I love this one. And from a logistical standpoint, I was impressed. The PDF downloads directly from a link in your email receipt, there’s a print at shop version included and the print layout is delightfully lean. This was easily my best experience with a PDF pattern to date.

I made a test skirt in my kimono fabric and decided to remove some width from the back panel. I wanted it the waistband at my natural waist, and the shortness of the back elastic I needed made the back panel very gathered and pretty heavy. It’s still more gathered than the front, so if I make this a third time, I’ll play around with shortening the front waistband to lengthen the back out. After my trial, I knew I wanted to make it in a special piece of linen and bought a straight-up new piece of fabric for the occasion. | self-drafted top and Liesl & Co Everyday skirt

I bought 1.5 yards of 60″ wide linen (the pattern suggests 1.75) but I miraculously had enough to create a cropped tank AND join Sophie’s super fun two-piece party! | self-drafted top and Liesl & Co Everyday skirt

Unlike the skirt, the top is actually self-drafted. I started working on a bodice block last winter, with beyond-generous help from Maddie, who shared her pattern-making knowledge and gently let me know that my neck couldn’t possibly be as small as I’d measured it to be, the fit expertise of my friend Casey, and Nathan, who helped me take endless rounds of measurements while I shivered convulsively in a chalked-up bathing suit. I worked on it in spurts and finally translated it onto tagboard last month. From there, I consulted Helen Joseph-Armstrong’s Patternmaking for Fashion Design to make a flared dartless tank and borrowed the Wiksten tank neckline. I wanted it to be boxy to emphasize the fitted skirt waist. | self-drafted top and Liesl & Co Everyday skirt

Victory! It fits!

Someday soon, I’ll share how weird my block looks. My back and front bodice pieces don’t even look like they belong together… unlike this top and skirt! | self-drafted top and Liesl & Co Everyday skirt

I’ll be back in a few days on the Sewcialist blog as I’m helping out with the September challenge. Get ready to bust through your scraps during SCRAPTEMBER (yep, I had to go there). Until then, I leave you with this: | self-drafted top and Liesl & Co Everyday skirt